I do admit I've turned out a handful of paintings in which shades of brown were used fairly heavily, but do I go to brown as an automatic default? No. But many people do like brown. They like to wear it and decorate their homes with it. So I try to meet their expectations by painting or designing things to satisfy their tastes. Just as I do for those who love blue, red, purple, etc.
One color I do use a lot is Golden Paint's Quinacridone Nickel Azo Gold. It's a wonderfully rich, transparent color that when washed over a surface can convey the impression of antiquity like no other color can. Add a drop or two of umber (notice I said "a drop or two" not a cup!) and the antique effect is heightened even more. But making a surface look aged isn't QNA Gold's only use by any means. This is a color that produces stunningly beautiful glazes. When mixed with other transparent colors, the effects are luminous. For example, here's a mixed media collage, titled The Mountain Lark, in which I used QNA Gold to make the warm tones glow :
"The Mountain Lark," collection of Mr. and Mrs. T. Powell |
Text and image © 2014 Lynn Edwards
Have to say that brown is not a "color" to which I relate. Those colors in this beautiful painting are just wonderful without brown.
ReplyDeleteThanks, Kathy. I didn't think brown was necessary, either.
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